I've delayed starting typing on my next novel until early September. I thought that I'd be done with Bad Wizard by this point, but I won't be getting the final line edits until this Friday. Once those are done, I need to work on getting the print edition set up, since Antimatter Press is only handling the ebook edition. In addition, I'm also working on a secret project that I'm not yet ready to announce, but that I will unveil before the end of this month.
The fact that I'm not typing doesn't mean I'm not writing. I've taken to carrying a thick stack of notecards in my front pocket. Anytime I get even small ideas about the next book, I'm jotting them down. When I am ready to start typing, all I need to do is organize my notes into the correct sequence and I'll have a functional outline I can follow. My big challenge at the moment is figuring out how to integrate the villain's back story. I'm currently planning a single POV, but the villain's motives are complicated, and it sure would be a lot easier if I could tell things from her POV. Hopefully, I'll be able to avoid the standard villain explains her motives and master plan monologue.
1 comment:
Yes please, avoid the monologue. The worst part of any poorly written story is when the villain blathers on for no particular reason about who, what, when, where, and why like she was writing a high school English essay. The motivation should become clear through the story.
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