Welcome to my worlds!

I'm James Maxey, author of fantasy and science fiction. My novels include the science fantasy Bitterwood Saga (4 books) the Dragon Apocalypse Saga (4 books), the superhero novels Nobody Gets the Girl and Burn Baby Burn, the steampunk Oz sequel Bad Wizard, and my short story collection, There is No Wheel. In 2017, I'll be releasing a new superhero series, The Butterfly Cage. This website is focused exclusively on writing. At my second blog, Jawbone of an Ass, I ramble through any random topic that springs to mind, occasionally touching on religion and politics and other subjects polite people are sensible enough not to discuss in public.




Thursday, May 23, 2013

Classics update

Since March, I've gone on to read and/or listen to Dracula, 20,000 Leagues Under the Sea, the Great Gatsby, the Old Man and the Sea, and the Tempest in their entirety, plus started and abandoned Walden and Beyond Good and Evil.

Dracula was amazing, for the first four chapters. Then the book suffers from a distinct dearth of Dracula. The hunt for Dracula feels more like a series of board meetings. Do we really need scenes where the characters transcribe notes from one medium to another for easier reference? There's staking to do, and we're yammering on about shorthand.

20,000 Leagues Under the Sea had a similar imbalance. Interesting start, but the end just circles the drain, literally. I admit, it's pretty ballsy to end a novel with "I escaped the whirlpool, but don't remember how." Sheesh.

The Tempest: Meh. The problem was that Prospero is essentially omnipotent. Every other character in the book is essentially a puppet doing what he's manipulating them into doing. I really wound up feeling sorry for Kaliban.

Walden: I gave up four chapters in. For a book about living in harmony with nature, there sure are a lot of words devoted to accounting. Instead of being a celebration of living simply, it turned into a lot of boasting about how cheaply he can build a house and scolding the rest of mankind as being suckers for wanting frivolous stuff like a second pair of pants.

Beyond Good and Evil: Possibly over my head. The first chapters was mainly devoted to refuting other philosophies, and I wasn't sure where it was going, so I gave up.

The Great Gatsby: Believe it or not, I decided to listen to this completely unaware there was a movie in the works. I had a free credit on Audible and the book came up as a suggestion, so I thought I'd give it a shot. Very glad I gave it a shot. Beautiful language, complex characters, a plot that unfolds at just the right pace to keep me interested.

The Old Man and the Sea: Another audible suggestion. I'd read this book ages ago, either in High School or early in college. What a waste to read this book when you're young! It was my favorite of the most recent batch, the one that most resonated with me. The way you fight and fight for a what you think will be a big prize only to have sharks nibble it away to skeletons... yep. That's life, exactly.

Next up: I have no idea. Still contemplating War and Peace. But, I kind of enjoyed some of the shorter novels and plays, so I'm hesitant to make such a big commitment to one book when I might squeeze in three or four. Hopefully I'll decide by next week.

Wednesday, May 8, 2013

New Writing Class: The Rewrite: May 18, 10am, Orange County Library

On May 18, I'll be teaching my latest writing class at the Orange County Library in Hillsborough. This time my topic is rewriting. It's the toughest subject I've yet tackled, because every rewrite is going be different for every author. Still, I want to tackle it, because rewriting is where the real craft of writing comes into play. I think I've identified three at least three major areas that most rewrites should focus on, Flow, Focus, and Filters.

From the flier:

The Rewrite: Behind every great book is a great rewrite. The first draft throws raw clay upon the wheel, but later drafts spin this clay into a pot, coat it with glaze, and fire it, producing art. While every writer faces unique challenges in rewrites, in the course of bringing 10 novels to publication James Maxey has learned a thing or two about second, third, and even sixth drafts. He'll share tips, tricks, and excercises on how to take your original manuscript and turn it into a product ready to show readers.

If you're interested in joining this free class, call 919-245-3536 or register online at www.bt.ly/may18revise